Audio
James Parr: 'The Secret Garden'
ReFramed by
Attitude Foundation3 seasons
Episode 8
25 mins
This week: James Parr - model, triathlete, writer. We analyse how vintage children's film The Secret Garden shows disability.

Welcome back, fellow ReFramers!
This week we welcomed the wonderful James Parr to the show. James is a model, advocate, triathlete, writer and more!
This week we analyse 'The Secret Garden'. The film follows a young girl who is displaced early in the film, and ends up living with her uncle. Here she finds a garden, friends, and a cousin - Colin, a wheelchair user who spends all his time in bed.
Join us as we discuss this very interesting (and mostly terrible) portrayal of disability!
0:00
coming up on reframed we do the positive
0:03
happy normal
0:04
lives
0:06
just i just didn't find any of the
0:07
characters like particularly endearing
0:09
like i reckon that was the most
0:11
inclusive and diverse casting i've seen
0:14
for a long time that's what we're all
0:16
about on reframe so that's great
0:26
welcome back to reframed the podcast
0:28
that reframes how disability is
0:30
portrayed in film and tv i'm your host
0:32
jason claimo and today i have robin
0:35
lamberd with me as my co-host along with
0:38
this week's special guest who's james
0:40
parr and today
0:42
we'll be discussing a movie that uh i
0:44
don't think many of us really loved
0:46
which is the secret garden we've chosen
0:48
to review the most recent iteration of
0:50
this film which was the 2020 version um
0:54
but i think
0:55
you know hands down we can say that
0:57
i think all iterations of this film is
1:00
probably not going to be great um but
1:03
before we get stuck into that let's
1:04
learn a bit more about james so welcome
1:07
to the podcast james hey guys here going
1:10
thanks for coming
1:12
thanks for having me
1:14
did you just want to start off by uh
1:16
telling everyone who you are what you do
1:19
i'm james palmer 24 years old
1:22
i am
1:23
i'm a few things so like i never know
1:25
what to say but i am a model i'm a
1:28
student welfare officer and educational
1:30
support staff at two different primary
1:32
schools
1:33
i
1:34
am a triathlete
1:36
we'll stop it there
1:38
well
1:39
geez way to make us feel inadequate
1:43
you're welcome
1:46
um do you want to tell us a little bit
1:47
about the the modeling cause i know i
1:49
think you've recently signed with um
1:51
zebedee and that's pretty exciting and
1:53
why you got involved in those kind of
1:54
things yeah look i i it all sort of
1:56
started randomly um
1:58
about i know two years ago
2:01
i
2:02
have always been confident from the
2:04
camera i guess
2:05
my jason why are you laughing
2:09
i just love i've always been confident
2:12
i guess
2:13
well
2:14
i think that's like
2:15
an okay thing to say because i have
2:18
so like when when i got um when i did
2:20
like my very first thing i was like okay
2:22
like was random it was literally for my
2:24
friend's clothing shop
2:26
um her family business so i was like oh
2:29
yeah let's do it and then sorta just
2:31
went on from then i freelanced for a
2:34
year
2:35
and then zebedee reached out to me twice
2:38
back then i guess i was sore um sort of
2:41
like
2:43
it had just sort of fallen into my hand
2:45
so i wasn't sure that it was actually
2:48
something that i could save her shoe or
2:50
um a career path that was
2:54
gonna lead anywhere yeah um yeah so i
2:57
signed with zebedee i think last year
3:00
and um yeah
3:03
the rest is history
3:05
it's getting everywhere
3:07
i love that that's awesome yeah
3:09
yeah i think
3:11
the
3:13
really i think like the um
3:16
sort of push or like force for me to do
3:18
it
3:19
was
3:20
you know i had lost my leg two years ago
3:23
and when i had that transition from you
3:25
know i was 23 so i
3:28
had two legs i was an able-bodied person
3:31
for 22 years of my life
3:33
and in that 22 years did i actually
3:36
really ever see
3:37
a disabled person or a person with
3:38
prosthetic
3:40
no did i see them represented in the
3:42
media or
3:44
any any advertising no so
3:47
when i went through that transition
3:51
i really
3:52
i didn't struggle with
3:54
losing
3:55
or having the leg amputated i'm also
3:57
struggled with the perception and
4:00
you know negative connotation or stigma
4:03
and stereotypes all around that and how
4:05
people would look at me so
4:07
i guess
4:08
part of the push and
4:11
also why i want to do it now as being
4:14
someone who was disabled was to rewrite
4:16
that narrative one that it is not
4:18
negative and there's nothing sad about
4:20
it and we do live positive happy normal
4:23
lives
4:24
and
4:25
that
4:26
you know
4:27
anyone can come
4:28
become disabled at any time so if
4:31
anyone's going to go through that
4:32
transition at least
4:35
i can say that i was in a position or
4:37
provide some representation for them and
4:39
you know to sort of make that transition
4:41
a bit more seamless
4:43
well that's what we're all about on
4:44
reframe so that's great
4:47
i love that i always sort of bang on a
4:50
little bit about
4:51
how i feel like when i became disabled
4:54
that if society wasn't so up
4:57
about it all i probably would have been
4:59
a lot less up about it at all too
5:01
so
5:02
like i reckon i was at the start of this
5:04
year or maybe towards the end of last
5:06
year but i had had gone to an ultrasound
5:11
i'm pregnant um
5:14
plot twist
5:16
um
5:18
yeah just for something totally random
5:20
and you know the radiographer
5:23
yeah
5:26
um
5:27
you know was asking questions what
5:29
happened to my leg all that sort of
5:30
stuff
5:31
that's fine i feel like someone when if
5:34
it's medical professional asking any
5:35
questions i'm totally chill more so if
5:38
it was just someone
5:39
what happened i wouldn't say anything
5:41
but um so it answered all their
5:43
questions and i was waiting for it to
5:45
get to the part like oh that's so sad or
5:47
she hadn't said it yet i was like oh
5:48
this is interesting and then it got to
5:50
like how old are you and i said 23 or 24
5:53
however old i was at the time
5:55
with that
5:57
and then i was like i looked at her and
5:59
i was like
6:00
what
6:02
she didn't have an answer
6:04
yeah and i said i'm like no tell me like
6:06
what's so about it
6:08
oh like you know like that you lost your
6:09
leg and i was like
6:13
and
6:14
she didn't have an answer and i was like
6:15
look i'm not offended
6:17
um but
6:19
next time you say that to someone have a
6:21
bit of think about it have a bit of
6:24
thought
6:25
about why you think it's
6:27
because my life isn't my life is
6:29
probably better than yours
6:31
and
6:32
you know thankfully i'm someone that's
6:35
confident and i don't care
6:38
but if you were to say that to someone
6:40
who went through a traumatic experience
6:41
that then resulted in the loss of their
6:43
limb that's just going to reiterate that
6:45
their life is or that it is
6:48
from you so don't say it again
6:50
yeah honestly get them preach
6:53
it's just like automated in their brain
6:57
but in saying that i'll be the first one
6:58
to put my hand up and sometimes i'll
7:00
have that internalized opalism
7:04
oh that's no it's not sad i'm just
7:06
saying that because that's what i've
7:07
been taught to say programmed yeah yeah
7:09
or that that's the way that it's been
7:10
portrayed to you because like sometimes
7:13
like especially and that's what we talk
7:14
about here is sometimes like film and tv
7:17
and fashion and whatever the else
7:19
like portrays things in such a way that
7:22
just keeps entrenching these ideas in
7:23
people's minds so sometimes i'm like i
7:25
can kind of understand why you think
7:26
this way but we need to try and unpack
7:28
it so even when it comes to modeling
7:31
and when it comes to modeling i guess i
7:33
get really picky and really suss on
7:36
some sort of jobs because i'm like why
7:38
are you picking me
7:39
yeah and what you wanted more
7:42
even
7:43
so yeah even when it comes to like
7:45
disability specific modeling like little
7:48
fashion or um
7:49
you know i did one recently i won't say
7:51
what it is but i did um a video
7:55
recently i didn't really want to do it
7:56
but i just did it more so because i knew
7:58
it was
7:59
their idea was put forward very well but
8:02
when they actually released what they
8:04
had done
8:05
i was like this is
8:07
you've just portrayed and made that
8:09
whole
8:10
sort of oh this is sad yeah
8:12
that's not what i wanted so it's like
8:15
to be really picky and
8:16
um
8:17
i just did melbourne fashion week i did
8:19
three shows there and i thought again
8:21
like is this going to be tokenistic
8:24
um
8:25
they're just ticking a box with me but
8:27
i guess i i reckon that was the most
8:29
inclusive and diverse casting i've seen
8:32
for a long time i believe no one was
8:35
casted
8:36
just to tick a box or yeah for a
8:39
disability
8:40
um
8:41
yeah that's great love and fashion make
8:43
you doing good stuff we've
8:45
given them a bit of our time on this
8:46
podcast actually
8:49
they're gonna have to come on as like a
8:50
sponsor or something i'll go hit the
8:53
mountain
8:54
next season
8:55
yeah literally i'm like um
8:58
no it's good um is there like something
9:00
that stands out as one of your favorite
9:03
jobs that you have done so far and i
9:05
guess why like it maybe it is melbourne
9:07
fashion week i i think the woods
9:10
yeah i think it would be that i think
9:11
that was the coolest
9:13
um you know like i've done a few
9:15
editorial a few campaigns a few just
9:18
commercialized stuff magazines jason um
9:23
that was just something i never thought
9:24
i would
9:25
have on the cards um
9:28
yeah you know
9:29
and i kept thinking about it like you
9:30
know when you're little and you watch
9:32
runways and then you're like oh yeah i'm
9:33
gonna practice walking down a freaking
9:35
runway and then next minute i'm actually
9:37
walking down the runway i was
9:39
9:40
when i was little there was my brother
9:42
was like
9:43
remember that time you put on that
9:44
purple dress and put on some eye shadow
9:47
and constructed down the street like the
9:49
main street like it was the runway now
9:50
you're going to be on a runway i'm like
9:52
i'm prepared for this
9:53
you're a bond friend
9:54
now we just need to get the purple dress
9:58
let's revive the purple dress
10:00
i wish i could find a photo if i ever
10:02
find a photo honestly if you do send it
10:04
through and i'll put it on the podcast
10:08
love it well i think we've spoken enough
10:10
about you
10:11
and now it's time to talk about our film
10:14
for today which is
10:16
the secret garden so the sacred garden
10:18
follows our main character mary who is a
10:21
10 year old girl who's kind of starts
10:23
off as this really spoiled girl who is
10:26
in living in india with her rich parents
10:28
um her parents then die and she sent
10:30
over to yorkshire to live with her uncle
10:33
who's played by colin firth
10:35
the story sort of just unfolds that
10:38
while she's staying at miss with white
10:39
mana in yorkshire that she finds out she
10:42
has a cousin called colin
10:44
and colin is the whole reason we're
10:46
really talking about the sacred garden
10:49
today uh because he is a wheelchair user
10:53
um who essentially has spent his entire
10:55
life in bed
10:57
um because of the fear that he will
11:00
develop a
11:01
i guess they're calling it hunchback
11:03
syndrome
11:04
um and
11:05
the way that disability is portrayed in
11:07
this film is quite interesting because
11:09
at the end colin actually does
11:11
find out that he
11:13
can walk
11:15
and i guess the whole thing is that the
11:16
secret garden is
11:18
possibly magical and possibly has
11:20
something to do with colin
11:22
seemingly getting better uh let's just
11:25
kick it off with robin i feel like
11:27
you've got very strong thoughts gosh
11:28
like firstly i just want to say that it
11:30
was just regardless of disability and
11:32
its portrayal of disability it was just
11:34
a terrible movie so it was very hard for
11:36
me to sit down and and watch this so um
11:40
i apologize yeah you really made my work
11:42
quite hard today um
11:44
um but yeah i mean
11:46
i guess um we should preface by saying
11:48
it's based on a book a pretty old book
11:51
uh written in a time that was definitely
11:54
not as progressive um but the portrayal
11:57
of disability in this i think was
11:58
possibly one of the worst that we've
12:00
watched uh on this podcast so far
12:03
um very much betrayed just you know
12:06
people with disabilities as being like
12:08
dependent um like just a victim of their
12:11
situation
12:12
uh colin i think his name is like just
12:14
doesn't get out of bed like um you know
12:17
it's very sensitive and just
12:20
not a very likable character anyways but
12:23
um yeah and then obviously you know
12:25
without spoiling too much the end is all
12:27
about him sort of just
12:29
using a positive attitude to overcome
12:31
what may or may not be a disability in
12:34
the end
12:36
um so yeah i i wasn't wasn't really a
12:39
fan but how about how about you guys
12:41
there for me there was like it okay it
12:44
took me three goes to watch it
12:47
and then the last time i was i
12:49
sat myself down and i was like right i
12:52
need to buckle it
12:54
it's hard
12:55
um
12:56
but actually the more i sort of watched
12:57
it the more i actually didn't mind it
13:00
um
13:01
when it comes to the portrayal of the
13:03
disability
13:05
there were
13:06
a few a few things that i took away one
13:08
was 39 1947 so
13:11
what a great
13:13
how far have we come so far since then
13:16
like to have that portrayal yes it was
13:18
negative but then look at what we're
13:20
doing now and how far we've come already
13:22
we still have so much more
13:24
so much further to go
13:25
next thing
13:27
i'm diagnosing the father of colin with
13:30
munchausen by proxy
13:33
yeah
13:35
i thought it was going to be that sort
13:36
of story when i started watching um
13:39
so
13:40
i think
13:42
because he did he wasn't disabled in the
13:44
end was he
13:45
no
13:46
well it was like sort of played into
13:48
this whole narrative of like izzy or
13:51
isn't he is it the like with the right
13:53
attitude like yeah and also like that is
13:56
the garden magic
13:58
or is it not and i was like
14:00
more so about like the attitude or that
14:03
sort of stuff
14:04
i guess
14:05
it was nice to see the other characters
14:08
mary
14:09
yeah
14:10
mary and colin
14:12
say bond
14:13
over
14:14
say their loss and then figure out
14:17
that he actually wasn't disabled
14:20
i found that quite nice to watch
14:23
but
14:24
i think the betrayal yeah all they that
14:26
was negative he was stuck in a bed he
14:28
couldn't do anything no one could look
14:29
at him
14:30
um
14:31
mary couldn't even talk to him
14:33
she she did that sneakingly um
14:37
so i guess everything
14:40
what disability is was portrayed
14:44
the opposite
14:46
i think there was one part that i was
14:48
like oh that's like could could almost
14:50
be a slight redeeming factor and that
14:51
was when
14:52
um mary said like about his wheelchair
14:55
she's like nah it's good it moves well
14:57
like like we should like sort of go out
14:59
in your chair like why are you not using
15:01
this sort of thing so mary's whole
15:03
initial attitude is like literally the
15:05
like
15:06
one tiny bit of like gleaming light
15:09
within the show that this movie was
15:11
i feel in terms of representing
15:13
disability but also it was just kind of
15:14
really boring and i mean all other times
15:16
i found her like so irritating which i
15:18
think was the whole point it's just so
15:20
positive but her attitude towards
15:24
colin and just like yeah almost like
15:27
not i wouldn't say indifference because
15:29
like she acknowledged his like
15:31
disability
15:32
but
15:34
didn't really like phase her too much
15:36
like she was just like oh like we just
15:38
sort of like do this and that and like
15:40
i'll help you sort of thing which i
15:41
thought that was like the one sort of
15:43
redeeming
15:44
the regular scene
15:46
that i found was really nice
15:50
i'm gonna say it's not gonna sound nice
15:51
but
15:54
more i think about colin's sitting on
15:55
the ground and she's just in there
15:57
having to damn your time with that
15:58
wheelchair and i just thought
16:01
okay you're not a wheelchair user but
16:03
how nice is it that
16:05
they are able to have that sort of
16:07
relationship where
16:09
he gets out she's just trick um
16:12
you know
16:13
it is normal but back then and when the
16:15
movie is set it isn't normal and it
16:17
wasn't perceived as being normal but she
16:20
was making it sort of like this whole
16:21
normal
16:22
um phased unphased and just sort of
16:25
treating him
16:28
not so different when
16:30
other characters were
16:32
um i thought that was really nice yeah
16:35
yeah yeah and i think even at the end
16:37
when because she was using a walking
16:39
stick even to see the progression of his
16:42
mobility aids like as long as she asked
16:45
if she can use the wheelchair yeah
16:48
i don't know i think it was just like
16:50
some montage like music
16:54
i guess one of my like biggest arguments
16:56
was like why does this need to be remade
16:59
like could we not have
17:01
just a better
17:02
disability narrative out there like
17:04
we've had this before it's obviously
17:07
certainly not perfect or like you know
17:08
there's a lot that could be improved
17:09
about it
17:11
is it necessary like that we do this no
17:13
i'm kind of scared that we're going to
17:15
get savaged online by like
17:17
cult yeah there's people that are like
17:19
obsessed with the secret garden and
17:21
they're like no it's the best movie ever
17:22
you have no idea you don't understand i
17:24
don't think we'll find anyone that's
17:25
obsessed with it
17:29
very slow start yeah yeah
17:32
um
17:33
there was also um
17:36
one of the very first scenes where
17:38
there's a
17:39
an amputee using crutches
17:42
i actually thought that was quite a nice
17:43
scene because
17:45
it was just there no one was looking yes
17:47
mary looked probably the first time
17:49
she'd ever seen one so i think that's
17:50
okay
17:51
let's keep in mind that she's a child so
17:52
yeah
17:54
you know she did look i think that's
17:55
fine
17:56
um
17:57
but he was just there and there was no
17:59
sort of attention
18:01
bought whereas when you look at colin
18:04
everything was so
18:06
you know dramatized dramatized yeah um
18:10
very
18:11
everything was about him and i think why
18:13
he was so
18:15
because you guys said you hated him
18:17
well just i just didn't find any of the
18:19
characters like particularly endearing
18:22
like
18:23
yeah
18:23
why he was so selfish and so
18:25
self-centered at the start was because
18:27
everything was about him yeah and so i
18:30
think
18:30
over time it was nice to see that
18:33
different side of colin but then again
18:36
that was only because you know he's
18:38
having a positive outlook on his
18:40
disability that may not i don't know be
18:42
confused it was a bit confusing i think
18:44
they also kind of like
18:47
played into a lot of stereotypes like
18:48
with colin's father like i would say
18:51
that in modern times we would say that
18:52
he has a form of disability um whereas
18:55
back then they just caught him a
18:56
hunchback which is like not great um
18:59
and i think they kind of
19:01
weaponized like him
19:04
as a character because it was like
19:06
in this remake because i don't think it
19:08
was actually in the original film but in
19:10
this remake he
19:12
has this like fear that his son is going
19:14
to develop i guess the same condition
19:18
and
19:19
therefore just like have this terrible
19:20
life so he's like just stay in bed all
19:22
the time because otherwise you will hurt
19:24
your spine
19:25
um
19:26
and i feel like they just played into
19:28
this whole narrative that like
19:30
people disability are either like colin
19:32
who are just like hopeless stuck in bed
19:34
or like colin's father who are like
19:37
these like really bitter resentful
19:39
villains who will like inflict suffering
19:41
on other people
19:42
i guess when you look at like the the
19:44
wider picture like every character in
19:46
that movie had some kind of trauma like
19:48
someone they loved has like died or like
19:51
you know so like
19:53
yeah you can't i guess you can't expect
19:55
them to be perfect people yeah even the
19:57
dog yeah
19:59
so it's just like i don't have yeah how
20:01
do you make a better movie with so many
20:03
characters that are so like traumatized
20:06
and flawed
20:07
yeah literally i think they would have
20:08
had to completely have changed like the
20:10
whole like plot and narrative of it
20:13
which you know they probably legally
20:15
weren't allowed to anyway but still
20:16
we're reviewing it and it was a terrible
20:18
narrative i feel like they could have
20:22
made some scenes a bit more
20:24
or you know the the
20:27
whole narrative just a bit more
20:31
and positive
20:33
and i i i guess it is a negative story
20:36
because we're looking at you know
20:37
everyone's affected by trauma
20:39
and i guess that's why colin is
20:41
bedridden because his dad's had so much
20:43
trauma he's trying to protect him
20:45
but then again
20:46
that plays into
20:49
that disabled people need protecting and
20:52
we can't do things for ourselves
20:54
and it just sort of keeps pushing with
20:56
that narrative
20:57
yeah
20:58
not great not okay
21:00
also the garden
21:02
that's a forest
21:04
yeah i know i was like that is not a
21:05
garden
21:07
garden who's been maintaining that this
21:09
whole time
21:10
i sort of thought
21:13
that they were portraying yeah the
21:15
secret garden to be some sort of magic
21:17
and that was what cured
21:20
him colin his disability
21:24
yeah i just feel like they played into
21:25
like every stereotype ever and they like
21:27
almost weaponized disability it would
21:29
have been interesting to see them like
21:30
highlight those stereotypes but then
21:33
maybe do something a little bit like
21:34
subversive with them like but instead
21:36
they just did like textbook like they
21:38
were just like yeah that's good with
21:39
this yeah
21:41
yeah i think like 2020 everybody love
21:43
that there was like possibly room there
21:45
to do something like a bit different and
21:46
to just
21:47
turn those stereotypes on their head but
21:49
yeah
21:50
yeah
21:52
yeah and like definitely just use
21:54
disability as a tool in the narrative to
21:56
like be like this is terrible and now
21:58
he's happy now at the end yay the secret
22:00
garden is magic instead of actually like
22:02
delving into any sort of
22:05
actual representation of disability or
22:07
even kind of
22:09
really defining what disability is like
22:11
i feel like oh my god the kids that
22:13
watch that film are going to come up to
22:14
me and be like
22:16
i'll take you to the secret garden and
22:18
you'll walk again and i'll be like
22:19
how it works actually
22:25
maybe you just haven't found the right
22:26
garden
22:27
literally oh my god i was so confused
22:30
when like all the plants were like dying
22:32
and then like coming back to life like i
22:33
was like why is no one looking around
22:35
and being like wow the whole thing's
22:37
like turned into like
22:39
death and
22:40
anyway i think it's time to give our
22:42
scores
22:43
james you go first i thought you're
22:45
going to be the nicest out of five on
22:47
the inclusive disability representation
22:49
scale what did you give what
22:51
that was not nice not even a one like
22:55
zero
22:56
i thought you brought like up some
22:57
points about it like not being too
22:59
terrible
23:00
no
23:01
i said one because i was like is it one
23:03
to five and then i thought about like
23:04
now i can say zero
23:06
it's like negative numbers i think we've
23:08
had like negative five at one point
23:10
oh really robin oh yeah i mean if we're
23:13
going low as one let's go one cause like
23:16
yeah there wasn't much great about this
23:18
like i said there was a few things where
23:20
i was like oh look like they're trying
23:21
to make mobility aids like a tool like
23:24
but you know getting out there rather
23:26
than being some negative thing but on a
23:28
whole like yeah it was just very like
23:31
classic textbook negative stereotypes so
23:34
yep yeah no i was a 0.5 out of 5.
23:39
just go with those half numbers so that
23:41
i don't have to uh be an absolute zero
23:43
um and yeah literally just because of
23:46
like they just use disability as a tool
23:48
and as like a weapon to like destroy
23:50
characters but also like build
23:52
characters up and i was just like this
23:54
is not for
23:56
me
23:57
to portray that whole disability death
24:00
bedridden yeah can't do anything yeah
24:03
can't look at them
24:04
um you know there's a scene where i
24:06
think
24:07
the nanny
24:09
um
24:10
is like
24:11
don't expect him to come running
24:15
and that's like
24:17
calm down have you watched a bit of the
24:19
movie
24:21
spoilers
24:22
yeah well wasn't she wrong
24:25
yeah
24:26
you haven't been to that sacred garden
24:28
too funny
24:30
well that is it for this week's episode
24:32
thank you so much to both of you for
24:35
joining me and thank you everyone at
24:37
home for following along um obviously
24:40
this week was not a very good film so i
24:43
think next week we'll have to pick
24:44
something a bit more positive um as
24:46
always follow us on our social channels
24:49
uh you can just literally search
24:50
reframed podcast and you'll find us on
24:52
twitter facebook and instagram and let
24:54
us know what you thought of the secret
24:57
garden um if you hadn't watched it and
24:59
you watched this first i think we
25:00
spoiled pretty much all of it and also
25:02
we told you that it's so boring
25:04
that you shouldn't watch it
25:06
so sorry
25:07
um but anyway let us know in the
25:09
comments or you can also send us an
25:11
email at hello reframed podcast
25:12
reframedpodcast.com
25:15
and we'll see you next time
25:23
[Music]
25:36
[Music]
25:45
[Applause]
25:47
you
Continue listening
Episode 1 of 'ReFramed - Disability in Media' introduces Jason Clymo (series host) and co-hosts, Steph Dower and Robyn Lambird.
Special
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Episode 1
•36 mins
Audio
The team chat with speaker and comedian Rose Callaghan and dissect TV series The Wrong Girl and the movie Wonder.
Rose Callaghan: 'The Wrong Girl' + 'Wonder'
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Episode 2
•33 mins
Audio
Features arts inclusivity champion Genevieve Clay-Smith and reviews of TV's Game of Thrones and movie Me Before You.
Genevieve Clay-Smith: 'Game of Thrones' + 'Me Before You'
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Episode 3
•33 mins
Audio
This episode: Ming Luo's experiences of being blind; disability representation in film The Fundamentals of Caring and TV's In the Dark.
Ming Luo: 'The Fundamentals of Caring' + 'In The Dark'
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Episode 4
•41 mins
Audio
This episode, Jason McCurry on disability and empowerment, and the team review TV series The Politician and film A Quiet Place.
Jason McCurry: 'The Politician' + 'A Quiet Place'
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Episode 5
•34 mins
Audio
Hosts Steph, Jason & Robyn review recent developments and discuss the Netfix show Sex Education and disability.
Jason Clymo - Sex Education
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Episode 6
•26 mins
Audio
This week, transformative justice influencer K Shantel joins the team to discuss Marvel movie Eternals.
K Shantel: 'Eternals'
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Episode 7
•28 mins
Audio
This week: James Parr - model, triathlete, writer. We analyse how vintage children's film The Secret Garden shows disability.
James Parr: 'The Secret Garden'
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Episode 8
•25 mins
Audio
Movie The Peanut Butter Falcon is analysed through a disability-framing lens with special guest, human rights champion Graeme Innes.
Graeme Innes: 'The Peanut Butter Falcon'
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Episode 9
•27 mins
Audio
TV series The Witcher is assessed with special guest Catia Malaquias, human rights lawyer and disability advocate.
Catia Malaquias: 'The Witcher'
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Episode 10
•34 mins
Audio
Tobi Green Adenowo, UK activist and presenter, helps unpick disability representation in animated film Luca.
Tobi Green Adenowo: 'Luca'
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Episode 11
•39 mins
Audio
The team and personal/professional development specialist Carson Tueller analyse movie A Quiet Place Part 2.
Carson Tueller: 'A Quiet Place 2'
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Episode 12
•39 mins
Audio
Marvel's Hawkeye is put under a disability-critical eye by the team and special guest: film and TV specialist Tracey Vieira.
Tracey Vieira: 'Hawkeye'
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Episode 13
•39 mins
Audio
ReFramed takes on Enid Blyton - the TV adaptation of her Malory Towers discussed with author and activist Carly Findlay.
Carly Findlay: 'Malory Towers'
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Episode 14
•38 mins
Audio
Disability representation on TV's The Sex Lives of College Girls is unpacked - with model and communicator Rhiannon Tracey.
Rhiannon Tracey: 'The Sex Lives of College Girls'
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Episode 15
•29 mins
Audio
This week, fashion and screen inclusion advocate Angel Dixon helps examine disability representation in TV series Raising Dion.
Angel Dixon - 'Raising Dion'
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Episode 16
•51 mins
Audio
Writer, creator and activist Nina Tame joins the ReFramed team to analyse Disney favourite Finding Nemo.
Nina Tame: 'Finding Nemo'
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Episode 17
•39 mins
Audio
Akii Ngo - advocate, model, writer, consultant - brings a range of lived experiences and helps review the film Love and Other Drugs.
Akii Ngo: 'Love and Other Drugs'
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Episode 18
•45 mins
Audio
Greens Senator Jordon Steele-John helps the team analyse the film Run from the viewpoint of disability presentation.
Senator Jordon Steele-John: 'Run'
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Episode 19
•27 mins
Audio
Model, actor and activist Maya Dove helps the team to analyse hilarious TV show Derry Girls.
Maya Dove: 'Derry Girls'
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Episode 20
•27 mins
Audio
Michelle Roger - writer, artist, photographer, model - joins the team to discuss TV show The L Word Gen Q.
Michelle Roger: 'The L Word Gen Q'
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Episode 21
•27 mins
Audio
Rebooted TV series Queer as Folk goes under the disability lens with the team - joined by businessman and advocate Luke Christian.
Luke Christian: Queer as Folk (2022)
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Episode 22
•27 mins
Audio
Writer, digital creator and advocate Annie Segarra helps the team review animated TV series Dead End: Paranormal Park.
Annie Segarra: 'Dead End: Paranormal Park'
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Episode 23
•27 mins
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TV's Heartbreak High is assessed through a disability lens with Anja Christofferson, advocate and social entrepreneur.
Anja Christoffersen: 'Heartbreak High'
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Episode 24
•27 mins
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The team is joined by writer, actor, producer and activist Emily Dash - to review TV series Switched At Birth.
Emily Dash: 'Switched At Birth'
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Episode 25
•27 mins
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